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A Full Guide of The Row Crossbody and Small Bags

The smallest pieces give the easiest reading of the design reasoning, despite the fact that The Row is most known for oversized, understated leather carriers. On a crossbody or a clutch there is nowhere to hide — proportion must be correct, the closure must work cleanly, and the leather has to hold the object unaided. What follows is a row bags overview of the smallest end of the range, spanning crossbody styles, compact shoulder bags, pouches and clutches. Every figure is an observed 2026 market price recorded in September of that year, not an official price list, because the brand publishes none. If a piece is confirmed Made in Italy on the brand’s own product page, the guide says so; nothing is guessed. Bags only here, with ready-to-wear and footwear kept out of the frame.

What Makes a Small Bag as One of These

Since The Row bags have no exterior logo plaque and no monogram print, a small one is recognised on silhouette, proportion and construction alone. A discreet exterior stamp sits low on the side, where it blends into the leather, and a second stamp is placed inside. Palladium-plated hardware in a matte or brushed finish does the job through weight and precision rather than any shine. Where other houses print logo jacquard, the linings here are luxury materials in their own right — nappa, lambskin, calfskin and cotton herringbone. Those decisions are easy to overlook on a large tote; on a clutch the size of a paperback they become the whole design. That is why the small pieces work as the clearest introduction to what the label does with leather.

• No exterior plaques, branded hardware or monogram print
• Identification comes from silhouette, proportion and construction
• A discreet exterior stamp and a matching interior stamp
• Palladium-plated hardware, matte or brushed
• Interior linings of nappa, yslsale.org/handbags lambskin, calfskin or cotton herringbone

The Crossbody Range, Grouped

Crossbody styles make up the most practical corner of the collection and, on observed 2026 prices, one of its most accessible. The group covers roughly $1,290 to $2,550, placing its floor below almost every top-handle style the brand makes. The house convention of orientation prefixes governs the naming, with N/S and E/W marking the difference between upright and wide versions of one idea. Part of the Park family belongs here, because that family comprises the N/S Park Tote, the Park Tote, the Park Tote Three, the XL Park Tote and the N/S Park Crossbody. Calfskin in smooth, grained and saddle finishes makes up the materials, and the fittings are palladium-plated throughout. Visible branding is absent from all of them, so they are bought as daily bags rather than occasion pieces.

N/S Park Crossbody, Rene Crossbody

At an observed $1,290, the N/S Park Crossbody is the smallest opening to the Park family that is not a tote. It inherits the family’s flat, unstructured logic, scaled down to something worn against the body rather than carried in the hand. Anyone who already owns a The Row tote bag from that line will see the same construction language, just at a fraction of the volume. Observed at $1,350, the Rene Crossbody stands a step above. Both fall inside the entry band of roughly $590 to $1,500 that the collection holds at its lowest end. For a first row bag, this pair is where the smallest outlay coincides with the fullest expression of the house style.

Izzy, Annie and the Large Slouchy Banana

Across its orientations the Izzy was observed at $2,300 for the E/W Izzy and $2,490 for the N/S Izzy, with a Small Izzy shoulder version at $2,100. The N/S Annie Crossbody was observed at $1,950, falling between the entry crossbodies and the Izzy group. The Large Slouchy Banana was observed at $2,550, and the brand’s own product page confirms it as Made in Italy. That page was showing waitlist availability rather than open stock at the time of research, which is normal for the label. The upper half of the crossbody range belongs to these three lines, and structure and leather weight rise noticeably there. They are also the pieces buyers most often cross-shop against small shoulder bags rather than against each other.

Small Shoulder Bags: Half Moon and the 90’s Bag

That two of the four signature models work at this small scale says a good deal about how seriously the label treats the format. Observed at $1,390, with a leather variant seen at $1,690 at a stockist, the Half Moon is confirmed Made in Italy. Published dimensions are 8 x 13.5 x 2.5 inches, but sources do not agree on the exact figures, so read that as the official figure rather than a settled measurement. The 90’s Bag was observed at $1,090, the cheapest of the four signatures, and a 90’s Shoulder version was seen at $1,450. Neither leans on hardware for identity; both work through curve and drape. Between them they are the cheapest genuine entry into the top row bags by silhouette rather than by category.

Evening Pieces, Clutches and Pouches

The clutch group is where construction detail shows most, and the Bourse Clutch makes the clearest case. Observed at $1,590 and confirmed Made in Italy, it assembles a calfskin exterior, a nappa lining, a hinged frame closure, a hidden adjustable shoulder strap and dimensions of 10.2 x 6.5 x 2.3 inches. Above it sit the Peggy Clutch, observed at $2,900, and the Dalia Baguette at $2,700, while the Squared Compact Clutch matched the Half Moon at $1,390. Evening formats climb further, with the CC Minaudiere at $2,780 and the Long CC Minaudiere at $3,800. Terrasse To-Go, observed at $1,950, is another Made in Italy piece bridging clutch and small bag. The pouches and small leather goods finish the range below all of them — Ray Pouch seen at $950 and $1,100, Travel Pouch at $990, Sally at $1,000, Cecily Mini Tote at $950, Mini Barn Tote at $1,200, Double Travel Wallet at $590.

The Observed 2026 Market Prices in One View

For comparison, the table sets out all the figures above in one place. Every number is an observed 2026 market price, not a published official price list, and the brand issues none. The brand’s own site and retailer listings can diverge, and currency, season and stock all move the figure. Where two prices are shown, they indicate either two versions or two sizes observed at the same time. This is a snapshot of how the pieces sat against each other, not a quotation. What has stayed stable over time is the ordering, not the absolute numbers.

How the Small Bags Perform on Resale

Take the resale figures as observed market behaviour and not as investment advice — context, rather than a reason to buy. The Rebag CLAIR 2025 report put the label at 97% value retention at brand level, carrying it into the report’s unicorn tier of 85% and above for the first time, behind only Telfar, Hermes and Goyard. That report logged the Half Moon shoulder at 106% retention. The same report put the N/S Park Tote at 146% and the Margaux Tote at 107%, for comparison across formats. In a separate reading, the 90’s Bag is the riser of the group: eBay search volume was reported up around 55% year over year as of April 2025. This is not universal: canvas, nylon, sisal and seasonal colours discount on the secondary market, and the strength is concentrated in black and neutral calfskin in the signature silhouettes.

Living With One of Them

No brand-issued care protocol exists, so what follows is material-appropriate general guidance. Resist overfilling a small bag, because the shape carries the identification and a stretched gusset destroys it. Keep the leather away from direct sunlight, heat and rain, and store the piece in its dust bag lightly stuffed so it holds form. Buffing with a soft dry cloth suits calfskin and grained finishes; use neutral conditioner sparingly. Nappa and lambskin take marks readily — dry cloth only, and no over-conditioning. Suede takes nothing but a suede brush — no cream, no wet wipes, no soap, no water-based cleaner — while raffia, canvas and silk or satin versions spot-clean but remain the least serviceable of all.